New Worlds in Panels: Matt Fraction’s, David Aja’s, and Matthew Hollingsworth’s HAWKEYE

My latest column posted to PM yesterday, just in time for issue #3 of the new Hawkeye ongoing:

While one could go from seeing The Avengers to reading Hawkeye number one without missing a beat, for readers more familiar with the character’s history, it is notable that becoming comfortable with being a decent a human being, what that means and how you might do it, is exactly where Clint Barton is at the moment that Fraction, Aja, and Hollingsworth have picked him up for this series.

Read the full column.

May Comics

From tfaw this month:

Single issue:

Short takes:

  • Annihilators #3 (Marvel). Rocket Raccoon rules. Super powerful super beings trying to best each other is fun when done with style and in a good nature. Nice work so far to Dan Abnett, Andy Lanning, Tan Eng Huat, and Timothy Green et al for this mini.
  • Atomic Robo: Deadly Art of Science #5 (Red 5). Conclusion to the latest series, which is, if nothing else, indicative of how solid Brian Clevinger’s and Scott Wegener’s work, with Ronda Patterson and Jeff Powell, has become on this title. Funny. Smart. Action. Science. One of the most reliable reads I pull.
  • Avengers Academy #12, Avengers Academy: Giant Size #1, Avengers Academy #13 (Marvel). This trio of issues seems to have reignited A’s enthusiasm for this series. On the other hand, the “Giant Size” issue and #13 seem like stories that would have meant more before Young Allies was canceled.
  • Birds of Prey #11 (DC). A Secret Six/BoP crossover issue. Would hardly deny Gail Simone that conceit. Always like to see Helena/Huntress anchor a story.
  • B.P.R.D.: The Dead Remembered #2 (Dark Horse). This mini is developing some thoughtful character background for Liz that highlights the extent to which she is both of a generic type and distinctive at the same time. Looking forward to seeing how the historical piece is brought into the present and intertwined with Liz’s story.
  • Carbon Grey #2 (Image). The most helpful thing about this issue is the narrative summary on the inside cover. Still long on style.
  • Casanova: Gula #4 (Marvel Icon). Matt Fraction brings this arc to a gender bending conclusion (and maybe is an exception that proves the rule regarding what I write about Age of X below). Crazy James Bond-ish backup with Gabriel Ba in addition to the main story.
  • Hellboy: Buster Oakley Gets His Wish (Dark Horse). Mike Mignola adds alien abduction to the Hellboy-verse. I would like to see Kevin Nowlan on other Hellboy stories. I like that his lines are stronger than Mignola’s or Duncan Fegredo, and his figures more “realistic”, but that his Hellboy is still an homage to the character’s classic look: lanky and geometric.
  • I, Zombie #13 (DC/Vertigo). A is still enjoying this book with me, but maybe finding it harder to track as the narrative deepens. A new arc starts here, but one that builds on prior foundations. Need to wait-and-see where “The Dead Presidents” characters are headed.
  • The Li’l Depressed Boy #3 (Image). Most disappointing thing about this book so far is that A continues to resist reading it. Other than that, I am still impressed at how well Steven Struble and Sin Grace stay on the right side of the Nice Guy and the Manic Pixie Dream Girl with the two lead characters.
  • Generation Hope #6 (Marvel). Fast start to a new arc.
  • The New York Five #4 (DC/Vertigo). Done too soon.
  • S.H.I.E.L.D. Infinity (Marvel). In which Jonathan Hickman fills in some historical background to the vast story he is writing with this book. Dustin Weaver takes a break except for the cover.
  • Silver Surfer #3 (Marvel). Serves as a key turning point in the story.
  • Sir Edward Grey, Witchfinder #4 (Dark Horse). Zombies, demon dogs, a novel take on colonization of native peoples in North America. A good story.
  • Uncanny X-Force #7, #8, and #9 (Marvel). A tentative conclusion to the Weapon X/Deathlok/The World story and a couple of one-offs about personal demons (Betsy and Warren) and how things change (Magneto and Wolverine). Billy Tan works to maintain the high standard of the book, but he and Dean White’s art in #9 is more photo real than I would like to see, especially on a title that benefits from more expressionism in how it is drawn and colored.
  • Uncanny X-Men #535 and #536 (Marvel). Cool to read Kieron Gillen picking up on Joss Whedon’s Astonishing X-Men story, especially as a way to deal with Kitty’s return. Terry and Rachel Dodson are much welcomed after too, too much Greg Land.
  • Wolverine and Jubilee #4 (Marvel). Kathryn Immonen and Phil Noto bring their mini to close with some nice character moments and a story that tracks despite looking like it might have just been weird.
  • X-Men: Prelude to Schism #1 (Marvel). All prelude and build-up, which, I guess, is all that is promised, no?
  • Spider-Girl #6 and X-23 #9 (Marvel). Playing out the string with these titles. Who knows, maybe moving Jubilee and Noto to X-23 will make me change my mind about pulling that book.

Longer takes:

  • Age of X: Chapter 5 (X-Men Legacy #247), Age of X: Chapter 6 (New Mutants #24), and Age of X Universe #2 (Marvel). I suppose that it is inevitable that they pay off for these kinds of stories is never as exciting as the set up. Having written that, Mike Carey did excellent work in plotting out the story and letting unfold in a way that made sense and that told you something about the alternate universe in which the action takes place. The Universe books with The Avengers could have been better integrated into the main story. I’m not sure they tell you much of interest. What I would have liked to see is more stories like the Dazzler backup by Chuck Kim and Gabriel Hernandez Walta, which is interesting for the way it does integrate mutant and non-mutant elements of the construct in Legion’s brain, but also for the distinct art style.
  • I plan to address Angel #44, Angel: 100-Page Spectacular, Spike #7 and Spike #8 in a longer post on the IDW Angelverse.

TPBs:

DMZ Volume 10: Collective Punishment (DC/Vertigo).

Forthcoming.

Empire State: A Love Story (or Not) (Abrams). Jason Shiga’s new book is a charming work that spins the Nice Guy character by actually having him grow and making his love interest a fully actualized person with her own ideas about life. The different hues for the different lines of the narrative is an effective way to show Jimmy’s development at different stages of the story. Shiga’s art is, as always, highly expressive.

Neptune (Tug Boat Press).

Forthcoming.

Page by Paige (Amulet). I ordered Laura Lee Gulledge’s book because I thought it would be a good one to share with A, but I learned after the fact that she already had an advance copy that Anne-Marie picked up from ALA last year. So, we kind of did get to share, but not at the same time. In any event, it is hard not be drawn into Paige’s world. I appreciate how Gulledge keeps the story on the right side of sweet and precious; it seems perfect for the character. I am still thinking over many of the visual metaphors, which alternate between subtle and beautiful and pretty but ham handed. If these are meant to be Paige’s, that kind of unevenness seems appropriate. If they are meant for the reader, then that requires more assessment, I think. On the other hand, I know that it isn’t easy to come up with metaphoric imagery. In any case, a delightful book.

Secret Six: The Reptile Brain (DC).

Forthcoming.

Sleepyheads (Blank Slate Books).

Forthcoming.

Tiny Titans: Field Trippin’ (DC).

No longer the blast of pure joy it used to be, but still lots of fun. As always some of the best jokes involve parodies of the goings on in the real DCU. B’DG is adorable.

From Matt’s Cavalcade of Comics:

Rated Free for Everyone (Oni Press). One of two Free Comic Book Day offerings that I picked up from Oni. Both titles featured here have plenty of style, but not the kind of characters or stories that can still appeal to me as a an adult. I am thinking my nephew might like one or the other, though.

Spontaneous #1 (Oni Press). The more adult of the Oni titles for Free Comic Book Day. Brett Weldele’s art is plenty stylish, but Joe Harris’ story not quite enough of substance for me to decide to pull this one. Trade/wait, I think.

Top Shelf Kids Club (Top Shelf). Fun. Fun. Fun. Works in ways that the Oni all ages book doesn’t. Another great Johnny Boo from James Kolchaka, and I always enjoy having a reason to see another of Christian Slade’s Korgi and Andy Runton’s Owly.

The Dead Boy Detectives (DC/Vertigo).

Forthcoming.

Jenny Finn: Doom Messiah (BOOM! Studios).

A title I’ve thought about reading and would pick up a lot and finally did purchase on Free Comic Book Day. Looks and feels like an out of place B.P.R.D. or Hellboy mini, which is to say that it is pulp-y fun, but I will admit to hoping for something … different. My biggest problem, though, is with the lettering in chapters 1-2, which is tiny.

From comiXology:

Madman: Oddity #1 and #2 (Image). Don’t know why I’ve overlooked this awesomeness from Michael Allred before, but I am happy that it is available digitally for me to read. Crazy, but low-key, existential fun and wry commentary on superheroes. More when I finish the mini.

April comics

From tfaw last month:

Single issues:

Quick takes:

  • Angel #43 (IDW). The penultimate issue at IDW. Wait until next month for more.
  • Annihilators #2 (Marvel). Well worth pulling for the bombastic storytelling and the comedy-adventure with Rocket Raccoon.
  • Avengers Academy #11 (Marvel). Christos Gage continues to do nice work in interweaving stories about the students with stories about the adults. However, for some reason A showed less interest this month.
  • Casanova: Gula #3 (Marvel Icon). Big craziness as the protagonists and antagonists switch roles and try to out clever each other.
  • Dollhouse: Epitaphs (Dark Horse). Interesting one-shot. Fills in some gaps left from the TV series. Interested to see where they take the upcoming series. Cliff Richards and Michelle Madsen do a nice job of clearly evoking a cast of minor characters from television.
  • Generation Hope #5 (Marvel). Setting the stage for the next part of story: what to do now that the new mutants have been gathered?
  • Iceman and Angel #1 (one-shot) (Marvel). Good natured fun scripted by Brian Clevinger (Atomic Robo). Some great exchanges between Bobby and Warren.
  • I, Zombie #12 (DC/Vertigo). Nice break in the regular action with Gilbert Hernandez as guest artist.
  • Li’l Depressed Boy (Image). See below.
  • The New York Five #3 (DC/Vertigo). Still hard to believe that this series will end in one more issue.
  • Scarlet #5 (Marvel Icon). Thus ends Book One. Brian Bendis and Alex Maleev continue to get a lot right about the present cultural moment in Portland, but the series still feels like prologue.
  • Silver Surfer #2 (Marvel). Liking the story from Greg Pak.
  • Spider-Girl #5 (Marvel). I read that the series will be coming to an end in June. Too bad. On the other hand, I was considering letting go because A, for some reason, refuses to read this title.
  • Spike #6 (IDW). Ummm. Some stuff happens, and Lilah shows up at the end.
  • Sir Edward Grey, Witchfinder: Lost and Gone Forever #3 (Dark Horse). Big confrontation with Grey’s friend, and some spooky visitations. Nice Victorian Western from Mike Mignola et al.
  • Uncanny X-Force #5.1 and #6 (Marvel). Not sure why the “point one” issue is a supposed to be such a friendly entry into the series, but, in other news, I got to chat with Rick Remender at the Stumptown Comics Fest. Always nice to tell creators how much you like their work.
  • Uncanny X-Men #534 and #534.1 and Annual #3 (Marvel). Matt Fraction’s (current) run on the title ends with some smart and clever plotting. Kieron Gillen’s “point one” issue makes more sense to me as an entry point for at least people who know the central X characters than does the Uncanny X-Force issue. The Annual, whatever its merits, sets up a story that I do not intend to follow through the other issues.
  • Wolverine and Jubilee #3 (Marvel). Story gets kind of trippy, but then what did I expect with Kathryn Immonen on writing.
  • X-Men: Legacy #246 (Age of X Chapter 3), New Mutants #23 (Age of X Chapter 4), and Age of X Universe #1 (Marvel). The tension continues to build nicely in the main story. The “universe” installment is brutally cold.

Longer takes:

  • B.P.R.D.: The Dead Remembered #1 (Dark Horse). Mike Mignola and Scott Allie script a story about Liz Sherman as a teenager and ward of the B.P.R.D. Liz is alienated, angry, and jaded, which might be cliché, except that we know her as an adult and can see who this kid becomes. Despite her superficial similarities to other female firestarters, like Jean Grey, Liz has always been a more self-possessed character than most women featured in super hero, or super hero-esque, books. Stylish art, as expected, from Karl Moline, Andy Owens, and Dave Stewart. (And, yes, Dark Horse suckered me into buying two copies of the first issue with the alternate covers by Jo Chen and Moline).
  • X-23 #8 (Marvel). I regret to say that with this issue I have decided to end my subscription. There have been brief moments where Marjorie Liu has used this book to tell a story about Laura/X-23, but for the most part she has seemed more like a supporting player in her own book. I think that Liu has some interesting ideas about Laura and her sense of ethics, her desire for humanity, for working through her past, but too much time is directed to servicing “events”. Making this book be the next place for Jubilee is almost interesting enough to keep pulling it, but also underscores the problem I am citing as my reason to quit. I’ll keep my eye out for trades, though.

TPBs:

Batman and Robin Reborn (DC).

Yeah, this is fun. I get why people like this series. Surprisingly compelling reboot of characters you would think were well worn, especially as a pair. But Grant Morrison and his artistic collaborators make them seem new, in part, of course by giving them new secret identities and forcing the new dynamic duo to prove themselves. I am reminded, however, as to why I don’t read that many Bat-books: Gotham is depressingly depraved.

Finder Library Volume 1 (Dark Horse).

Forthcoming.

Widowmaker (Marvel).

Forthcoming.

Hellblazer Volume 1: Original Sins (DC/Vertigo).

Another series that I am happy to see reissued as it makes it easier for me to find an entry point. Want to live with the character a little longer before writing more.

Possessions Volume 2: Ghost Table (Oni Press).

Ray Fawkes’ second installment in this series is as funny as the first. Gurgazon is still the most charming/disgusting little demon in the universe. A true all ages book for anyone who likes stories about the supernatural.

X-Men First Class Volume 2 (Marvel).

These collections are fun. Jeff Parker goes for a bright and mildly troubled view of super-powered teenager-ness, and succeeds splendidly. The artwork, by Roger Cruz, principally, in pencils and inks gets the gawkiness of the age right, but, particularly with Jean, and out of costume, can veer into figures that, like actors, look about a decade or so too old for the character’s age. Not so much an issue with the charming backups with Colleen Coover. The Marvel Girl and Scarlet Witch stories are especially enjoyable.

X-Men Forever 2 Volume 3: Perfect World (Marvel).

And with that Chris Claremont’s experiment comes to an end, I gather. As I’ve written before, I liked the loopiness of the series, but did find some elements, the willingness to kill off big characters, for example, a little tiring. I did like the resolution of the Storm/Ro/Ororo story, especially the reappearance of the mohawk.

From Bridge City Comics:

Takio (Marvel Icon).

Forthcoming.

Li’l Depressed Boy #1 and #2 (Image). Glossed over this in my news feeds, but after taking a second look, decided I would like to try it out, especially because I think A will like it (now, to get her to read it). In the opening issues S. Steven Struble and Sina Grace walk a fine line with the characters. LD does not show any of the entitlement of a Nice Guy, yet, and Jazmin is too prickly to be a full on Manic Pixie Dream Girl, but both could turn into those stereotypes.

From the Corvallis Book Bin:

Gear School (Dark Horse).

Picked this one up for A. Adam Gallardo (writer) and Nuria Peris & Sergi Sandoval (art) pack a lot of worldbuilding into a short book. Gallardo’s script is open-ended without sacrificing fulfillment of the immediate story. My primary problem with the book is that Peris and Sandoval draw the girls too old in the way that most actors who play high schoolers are actually in their 20s (or even 30s). It would have been interesting if Teresa had looked more her age instead of like a young adult. The meaning of story is confused by this artistic choice.

The Goon Volume 1: Nothin’ But Misery (Dark Horse).

Forthcoming.

Monkey vs. Robot (Top Shelf Productions).

More all ages fun. James Kolchaka writes and draws a story that can be read either as a “Spy vs. Spy” type battle and/or as an ecological fable about technology and progress. Most notably, it is easy to feel for both of the main characters at the end.

I will make a separate post of my purchases from Stumptown.

December comics

From tfaw:

Single issues:

Angel #40 (IDW)

Elena Casagrande is replaced by Jason Armstrong, who, with Brian Miller on colors, gives the book a Saturday morning cartoon makeover, which I kind of like? A radical change like this, however admirable in the abstract, in practice, takes some time to get used. I found myself constantly pausing to remind myself who the characters are, none more than Kate, who looks nothing like her previous selves (brown hair and pearls?).

The storytelling is fine, but David Tischman and Mariah Huehner are forcing the dialogue, especially trying to make Angel quick-witted and Gunn sound “street”.

Atomic Robo #2 (Red 5)

More period fun as Robo tries to lead a double life, doing science and fighting crime. An exceptionally cool set of pin-ups is included in this issue, too.

Avengers Academy #7 (Marvel)

Christos Gage turns his attention to the teachers, especially Hank Pym. Continues to be a strong book.

Batwoman #0 (DC)

Bruce Wayne stops by to surveil Kate Kane and Batwoman. I agree with the discussion on 3 Chicks Review Comics that it might have been better to include this as part of the “Road Home” comics rather than billing it as a Batwoman prelude. For readers who did not read the Greg Rucka and J.H. Williams III Detective Comics run, this issue is probably useful as an orientation to Kate and Batwoman, but for anyone who had been looking forward to the start of the new ongoing series, it is probably a letdown, at least narratively, artistically, the back-and-forth between Williams and Amy Reeder works well.

Birds of Prey #7 (DC)

A new story arc begins with Oracle deciding she needs to fake her death because too many people know that she is Barbara Gordon (or vice versa, I guess). There’s one artistic team on this issue, Ardian Syaf (pencils), Vincente Cifuentes (inks), and Nei Ruffino (colors), which is good, and I am optimistic about what Gail Simone has started in this issue.

Black Widow #8 (Marvel)

Duane Swierczynski’s storytelling gains depth in this issue, mining the Cold War in more personal ways for Natasha/Natalia, and reintroducing Fatale as an ally. However, even if I were so inclined to go out buy Widowmaker, I’m not sure that this storyline is one I would choose to follow, or would feel that I could not afford to categorize as trade/wait. The art, from Manuel Garcia (pencils), Lorenzo Ruggiero (inks), and Jim Charlampidis (colors), is still pushing the soft core too much, but they avoid the worst excesses of the preceding issues.

B.P.R.D. – Hell on Earth: New World #5 (Dark Horse)

The first arc of the new series comes to a close and it comes around to Abe and Ben, and some further clues about what’s to come. A lot to look forward to from B.P.R.D. and Hellboy in 2011.

Buffy the Vampire Slayer Season Eight #40 (Dark Horse)

The penultimate issue, and Angel kills Giles (also the Master), Buffy destroys the Seed of the World and seems to go catatonic. A lot to address in the next chapter.

Fringe: Tales from the Fringe #6 (Wildstorm)

A second mini-series comes to an end with a story about alternate Olivia, which is a nice touch. I assume that DC will continue to put these books out post-Wildstorm. No, they aren’t the best that comics has to offer, but for fans of the show, they are effective uses of the medium as an adjunct to TV, and the artistic standards are pretty high, higher than some ongoing series I read.

Generation Hope #2 (Marvel)

Kieron Gillen keeps the action in Tokyo, and Rogue takes center stage. I like Salvador Espin’s style, and Jim Charlampidis brings the same earth-y tones he does to Black Widow, but why does Rogue have to be drawn so that she is practically falling out of her top?

Hellboy: Double Feature of Evil (Dark Horse)

Richard Corben and Mike Mignola collaborate on a couple of classic horror stories. Not the strongest of their work together on this title, but I’m not sure that there is an ongoing series that does one-shots like this better than Mignola and his partners. I think any fan of horror and gothic literature could read this issue and enjoy it, not just Hellboy regulars.

I, Zombie #8 (DC/Vertigo)

Chris Roberson and Michael Allred continue to broaden this title into an ensemble piece, but without losing Gwen as its core. Fun sequence with the revived vampire in a UO hoodie. Nice to see when Eugene emerges in the story, rather than just being in the background.

Lady Mechanika #1 (Aspen)

So Joe Benitez’s series gets underway proper, and the writing is not as strong here as in the #0 preview. The Victoriana is more forced, but Mechanika herself remains well drawn and conceived, with a clear voice of her own. As well as she is handled, I wish that Benitez could have resisted introducing the female Commander now chasing Mechanika with such an overtly sexualized pose.

Murderland #3 (Image)

David Hahn draws a bunch of cool looking people doing … I’m not really sure, but they are really intent on it. I cannot follow the story here, and am even more confused by looking at the inside cover and seeing that somehow there are two stories going in this issue. Not sure what Stephen Scott has in mind here except riffing on cultural references to Baltimore.

Mystery Society #5 (IDW)

So the first (only?) story comes to a close. This title settled down into a genial mode, fun, but not over the top. The cast is a little large to be contained by a short run like this. I would like to see more for Fiona Staples’s art if nothing else.

Spike: What happens in Vegas, Slays in Vegas #3 (IDW)

Brian Lynch brings Drusilla into the story, and we get some confirmation that Beck has romantic feelings for Spike. The use and introduction of Dru shows how well Lynch gets these characters. More ambivalent about the way that Nicola Zanni draws the characters. Dru is too voluptuous, head to toe, than she should be. Looking at Franco Urru’s cover makes me wish he was drawing the inside, too.

Uncanny X-Force #2 & #3 (Marvel)

I am liking this title very much. Rick Remender is writing a story that taps into X-Men history, but not one that requires a PhD in the subject to grasp. The cast of characters is suitably dark and damaged, and Jerome Opena draws everyone as long, lean, and athletic looking, a nice change from the usual steroidal and pneumatic art you find in so many Marvel books (the one exception is Wolverine, who is short and stocky as he should be). Dean White’s colors tend to the gray, which fits the cast and the story. Now, if they could only get permission to get Betsy out of that bathing suit.

Uncanny X-Men #530 (Marvel)

Greg Land is back on pencils and so everyone looks like a model or porn star. Emma may wear this well, but for others, it is ridiculous (does anyone really imagine Scott Summers as looking like he just walked off of a photo shoot for men’s cologne?) Mostly, I find the uniformity of the characters to be boring, or even depressing in the case of the X-Men. These are supposed to be outcasts. If every mutant looked as plastic-y beautiful as they do here, wouldn’t more people want to be mutants, instead of rejecting them? On the other hand, Matt Fraction has a tight story this month.

TPBs:

Orc Stain Volume 1 (Image)

I enjoyed James Stokoe’s Wonton Soup books, and considered pulling this series monthly, but decided to wait for the trade instead. I’m not sure how this would read issue-to-issue, the pace is kind of laconic, even as the book does not lack for action, but Stokoe likes slacker dood characters, and his stories tend to move like they do.

The attraction here, as with the earlier series, is the world building, and Stokoe’s imagination seems to run riot with wild ideas for universes made almost entirely from organic material, making everything seem like it could either be food or something that eats. The color work here makes already jam-packed panels seem busy, but I suspect I just need to take a second look without having to follow the narrative as closely.

Despite the self-conscious masculinity of the story and the characters, the one notable woman in the book, Bowie Enocraz Yaramund, the “Poison Thrower”, is self-possessed and powerful in her own right (she even offers direct and indirect comment on the “love nymphs” who make up the remaining women you see). This is perhaps just a good illustration of what happens when an author sets out to write about men being men in a conscious and critical way, instead of presumptively.

Two Step (Wildstorm)

Forthcoming.

TPBs from Powell’s (Burnside store):

Black Orchid (DC/Vertigo).

Glad I got this. Another good example of what Neil Gaiman does well: asking questions about what characters like this and the stories we tell with them mean. I like how Lex Luthor is used as an organized crime figure more than as a super genius here. Dave McKean’s use of color and collage-like art helps to create different tones for different parts of the narrative. That being said, I’m not entirely sure what the thing means on the whole. Will reward on subsequent readings I suspect.

Global Frequency: Detonation Radio Volume 2 (Wildstorm)

Fast moving action and violence. Warren Ellis uses this volume to show more of Miranda Zero, who I remember as more of a shadowy figure from the first volume. Might work better as a movie franchise or TV series than as a comics series, more time on process, and less on the bloody finishes. Cool covers by Brian Wood.

The New X-Men: New Worlds Volume 3 (Marvel).

I am glad that I started picking these up. Having Emma and Jean together is interesting. Grant Morrison also does good work with the political and cultural themes of difference and acceptance, focusing both on non-mutants on how mutants perceive themselves and their place in the world.

The Perhapanauts Volume 1 (Image)

Not as much pure fun as Volume 0, but still an enjoyable team of misfits book. Todd Dezago and Craig Rosseau work their genres with skill, but there is a predictability to how characters develop and how stories unfold, albeit in a comfortable way.

Nyx: Wannabe (Marvel)

I read the Marjorie Liu written mini before coming to the original and I have mixed feelings about this collection.

I like the art, especially Nelson and Chris Sotomayor’s colors; light pastels are an interesting and unexpected choice for a book working so hard to be gritty and urban. I also like seeing a sustained story about mutants outside the scope of the X-Men (something I liked about the follow-up, too). It makes sense that not all young mutants coming into their powers would have the necessary adult support to keep them safe or to find their way to Xavier’s School for Gifted Youngsters.

On the other hand, Joe Quesada’s writing verges on exploitation fiction, especially in the Zebra Daddy character with his “street” slang, coke sniffing, sharp dressing, misogyny, and pimping. I think that Liu does a better job of getting into the lives of these young, virtually homeless mutants.

Wasteland Book 2: Shades of God & Wasteland Book 3: Black Steel in the Hour of Chaos (Oni Press)

It took me a few pages to get back into this series, to reorient myself to the characters and situations, but once I did, I had no doubts about immediately moving from Book 2 to Book 3. I like Christopher Mitten’s grey scale art, the sketchiness seems perfect for a story about a rebuilding world, and the flashback effect is subtle. Sometimes I find it difficult to distinguish between figures and faces, but by the end of both books, I could readily make out the principal characters. I think that Anthony Johnston does an excellent job of writing the narrative and dialogue that makes the world of Wasteland familiar and yet not at the same time.

Early thoughts on Marvel’s “Fear Itself”

Via Robot 6 today, I learned of Marvel’s big event for 2011, “Fear Itself”, a universe spanning crossover. I am abivalent about this news.

These kinds of multi-title storylines continually pose challenges to my enjoyment of books from DC and Marvel. Currently, servicing the “Wolverine Goes to Hell” mini-event has hamstrung the just starting X-23 ongoing, for example. In other cases, I have had trade collections of titles like Manhunter and Birds of Prey upended by something going on in the larger DCU that I did not really understand or care about.

On the other hand, once I began seriously reading comics again “Civil War” was my re-entry into superhero books, albeit after it hall been spun out and collected into trade paperbacks.

I have tended to focus my reading from the major publishers on marginal characters and titles, the kind least likely to be at the heart of major goings on, but I have tried to get back into the X-Men, including the mainstream. Now that “Second Coming” is done, I kind of feel like I am getting my bearings again. What “Fear Itself” will do to that feeling, I don’t know. Maybe I will end up retreating further into the most obscure and independent of Marvel books, ones like X-Men Forever, that run outside of or parallel to mainline continuity. Or maybe it won’t end up mattering much.

My first thought is to resist Marvel’s attempt to get me to buy a bunch of books I don’t normally have much interest in. But I give the Powers that Be credit, putting Matt Fraction and Stuart Immonen on the core mini is bound to make any current reader of superhero comics pause and think about how they want to approach this new event.

Buy or trade/wait? That would be the question.

End of September comics

From tfaw this month:

Monthlies:

Avengers Academy #4 (Marvel)

This is A’s subscription. My plan is always to skim, but I end up reading them more intently than that. That probably says something good about Christos Gage’s writing in particular.

B.P.R.D.: Hell on Earth – New World #2 (Dark Horse)

Two major storylines this issue. In one, at B.P.R.D. headquarters, Kate is cracking under the bureaucratic responsibilities imposed by the UN, while Panya is causing mischief, raising questions about her agendas and what she’s contributing to the work of the Bureau.

Meanwhile, in the woods of British Columbia Abe finds Benjamin Daimio hiding out, ashamed of how he left the B.P.R.D. The Wendigo is seen lurking in the forest. Daimio fills Abe in on news of a deep lake in the area where something terrible rests. The issue ends with Abe diving in.

The two major storylines are bridged by a series of panels featuring two unknown men living with an unidentified “she” who shouldn’t be disturbed. The transition from B.P.R.D. hq to the BC woods is handled through a TV talk show where commentators argue over what the horrible events of the last few months mean. We see Johann watching the show, and then are taken to the set, and then to the house in the woods where one of the unidentified men is watching the debate.

As always, reading B.P.R.D. has rewards on multiple levels.

Batman: Streets of Gotham #16 (DC)

I canceled this subscription a few months ao when the Manhunter backups stopped running. So, this is just a burn off.

Birds of Prey #5 (DC)

This issue highlights what I’m enjoying about the new BoP and what worries about the series. First, I appreciate how Gail Simone is able to keep things moving in interesting ways. Even though this issue is mostly about the aftermath of last month’s big fight, and set up for the issue to follow, a lot happens in-between mop up and the shift to Bangkok. The fact that it mostly involves Lady Blackhawk and Huntress, thereby bringing them back into the main action, is even better.

And on that, I also am enjoying seeing Helena with her edge back. After Black Canary left the group the first time, Helena got turned into the field leader/den mother than Dinah used to be, and, in the process, became a softer character. For me, though, she is at her most interesting when you aren’t quite sure what she’ll do. Here I believed that she would kill The Penguin given the chance, despite the fact that I know that is probably forbidden by the Powers that Be at DC.

On the other hand, I am concerned that this reset is beginning with everyone in grim peril, and, now, the team fraying at the seams. I think that Simone loves these characters too much to sell them out for cheap dramatics, so I trust that there will be a settling down at some point, but when you start with so much dire, it’s hard to know where things might go next.

That concern is minor next to my wish for more from the art. I was glad enough to see that Ed Benes is able to moderate his impulse to fetishize certain parts of the Birds’ bodies, but I can still think of a number of artists I’d rather have on the title. I understand from reading Gail Simone on Twitter that Benes had to quit working for health reasons. I would not wish that kind of illness on anyone, but I do hope that his absence creates an opportunity for someone else. Nicola Scott or Georges Jeanty come immediately to mind, or, even though she hasn’t worked with DC before, I would love to see Emma Rios on this book. Right now, predictably, I guess, the art-side is a mess.

Black Widow #6 (Marvel)

A new creative team takes over and gets off to a ho hum start. I appreciate Duane Swierczynski’s effort to write a story that, at the outset at least, is easy to get into without a lot of background, but beginning with the same premise as Marjorie Liu used to launch the series, Natalia/Natasha being framed for crimes she did not commit, is not confidence inspiring.

The art is also missing the uniqueness and flare of Daniel Acuna’s work. Manuel Garcia, in particular, draws all of the women in a disappointingly conventional way (flowing hair, big breasts, long legs).

Still, it is just a start.

Buffy the Vampire Slayer Season Eight #36 (Last Gleaming, part I) (Dark Horse)

Here Joss Whedon scripts and it shows in the mix of wit and drama, including a few nice visual jokes. I also found the issue to be helpful in recapping the Twilight reveal and its implications. In addition to starting the end of Season Eight, the issue reads as if it might be setting up Angel and Spike’s return to Dark Horse (see the Spike: The Devil You Know below).

Daytripper #10 (DC/Vertigo)

Final issue, and the gentlest of the series. Moon & Ba use a device here that I am not fond of, the dispensing of parental wisdom, but in a series about writers and the writing life, I grant them some latitude.

I am also still working through what I think about this last installment ending in a markedly different way than the previous issues – until the end, in fact, I had been wondering if this series really needed to be read in a strictly linear way – but I also think that this book should end up high on the “titles to recommend to adults who want to get into comics” list. Not only is the story entirely against the grain of what Americans assume comics are for, but the art is at a high standard. Ba & Moon clearly love people, and the details of daily life. Both of these are beautifully reflected here.

Fringe: Tales from the Fringe #4 (Wildstorm)

I am enjoying this second Fringe mini. I think that using comics to tell small side stories about characters from a TV show are a good use of these kinds of licensed comics.

Of course, the fact that the stories wouldn’t really carry a television episode sometimes shows. This issue the main story about Nina Sharp lacks a certain amount of imagination (let’s see; we have an older woman in a position of power, childless, no partner, what shall we write about?), but the art is lovely. Subtly styled, Julius Gopez also draws charmingly credible versions of the younger Nina and William Bell. Carrie Strachan’s colors are bright, and I especially like how Nina’s red hair ‘pops’.

The secondary story is also cliched, but Fiona Staples’ typically expressive artwork elevates the narrative beyond its limitations.

Hellboy: The Storm #3 (Dark Horse)

By the end of this mini, it is revealed that ‘the storm’ is the summoning, again, of Ogdru Jahad, a revelation that probably explains why Hellboy begins to feel as if doing what everyone wants him to do, lead an army of the dead against Nimue’s host, is exactly what he should not do. As it turns out, Nimue is, herself, simply a tool in the bringing of the Ogdru Jahad (isn’t that always the way).

Before setting out to face the witch queen, Hellboy appears to express his love for Alice and an intention to return to America and to the B.P.R.D. (following up on last issue’s hint at a crossover). On the road, he sees Gruagach/Grom strung up on a tree, begging for death and expressing regret for where his thirst for revenge has led the world. Hellboy tries to accomodate him, but to no avail. Gruagach seems destined to suffer for all time, which is sad even for a creature so epically small-minded.

More of interest happens in this comic than in a whole year’s worth of other titles.

I, Zombie #5 (DC/Vertigo)

Gwen confronts a moral dilemma and possibly an uncomfortable truth about herself in this issue. Chris Roberson and Michael Allred do an excellent job showing Gwen’s distress as much as telling it to readers. Most keenly for me, A continues to look forward to this book and I continue to feel ok about letting her read it.

Murderland #2 (Image)

After two issues, I am still trying to make up my mind about this book. I had it pulled because the previews promised something that inspired by Homicide and The Wire, and issue two certainly exhibits more of that promise than number one. However, I’m still not sure what’s going on. Narrative strands are being drawn out but not brought together yet. I was thankful for the short ‘FlipSide’ backup for its clearer and sharper story.

Still, David Hahn’s art is eye catching, with a good assist from Jose Villarubia on “Jiggity-Jig, part one” and Guillem Mari on the main story.

Mystery Society #3 (IDW)

This book continues to be fun. Not a lot new happens in this issue, but our heroes continue to outwit their pursuers, at least until the cliffhanger ending. And it would be hard not to at least enjoy looking at Fiona Staples art.

Scarlet #2 (Marvel Icon)

This book seems designed to polarize people and to provoke questions about the medium. What does it mean when a comic book character breaks the fourth wall? Is that even the right language? At what point does it make sense to look at Alex Maleev’s art in terms of photography rather than comics? How does doing that change how you understand his work?

I thought that having Scarlet address the reader was an effective way to set up the story and introduce the character. In issue two it becomes … ponderous. She seems to be rehearsing her justifications for doing what she does. Maybe there’s something to that in terms of character – the ex-cop bartender does the same thing after all – but does it make for a good comic? Not sure.

One quality I like about Maleev’s approach to the art is that the city of Portland becomes a real and compelling part of the story, but whether that works for readers who don’t already know the city, I couldn’t say.

There are certainly people doing what Maleev does here, but badly and on the cheap. I don’t think he should bear the burden of what other artists do. I doubt that a hack would have the vision to move from the dominant photorealism of this book to the panels of pure abstraction at the bottom of the next to last page of this issue like Maleev does.

Spike: The Devil You Know #3 & #4 (IDW)

And so concludes this somewhat undistinguished mini-series, at least as compared to Brian Lynch’s & Franco Urru’s previous series, Spike: Asylum and Spike: Shadow Puppets.

On the whole, I think that Buffy Season Eight is a stronger series than the Angel monthly, and unlike the majority of the earlier books featuring Spike, this mini is of a piece with Angel. What I do appreciate about IDW’s Angel series is the willingness to introduce and experiment with new characters, but I am not quite understanding what readers are supposed to be finding so interesting about Eddie Hope, who co-stars here and in backups to Angel.

I suspect that The Devil You Know was meant to be set up for the forthcoming Spike monthly, and we would have found out more about Eddie and Tansy (no other reason to keep her alive at the end of all of this). But that’s all pretty well water under the bridge now.

Stumptown #4 (Oni Press)

And so the first story arc comes to a close. Finally. The issue is worth it for Matthew Southworth’s soul bearing letter to readers if nothing else, but the fact that I felt like I knew what was going on despite the time between number three and number four (and number two and number three) suggests something about the quality of the story. It would be easy to write Dex off as one of Greg Rucka’s well-rehearsed “tough women”, but I think there is something unique in her just getting by, knock-about quality; male P.I.s get to be this underdog-y as a matter of routine, female detective, not so much. Rucka gives this classic persona to Dex without masculinizing her or turning the book into one about her getting beaten down all the time. In the end, she’s smarter and more resourceful than the people she has to contend with, and that’s cool. Looking forward to more, even if it takes awhile.

Uncanny X-Men #528 (Marvel)

A tightly structured, keep things moving issue. Just fine, and I’m glad that we are well-past Matt Fraction needing to service some big cross-over with the title, but am unsure about Whilce Portacio’s pencils. He has some serious problems with Emma Frost, especially. She’s far too pinched looking, and, while you have to make certain allowances for her dress, she comes across as vulgar more than strongly sexy here.

X-23 #1 (Marvel)

I think this is a good start for the series. I am interested in the idea of helping X-23/Laura learn about helping people by putting her in a situation where she can’t rely on her mutant abilities, and also by the theme of the responsible adults in her life needing to, well, act responsibly. I also like seeing some variation in body-type between the characters, especially the women. Some are more voluptuous, while others are lean and wiry. A good beginning for Liu and Conrad.

Other purchases:
Digital comics:

  • X-23: Innocence Lost #1 (Marvel)
  • X-23: Innocence Lost #2 (Marvel)
  • X-23 Innocence Lost #3 (Marvel)
  • X-23 Innocence Lost #4 (Marvel)
  • X-23 Innocence Lost #5 (Marvel)
  • X-23 Innocence Lost #6 (Marvel)

TPBs:

Captain America Reborn (Marvel)

Looking back through the comics that survived my youth, there’s a fair number of Captain Americas, but I haven’t really been that interested in reconnecting with the character as an adult. Whatever resonated with me as an adolescent is gone. Still, I know that Ed Brubaker’s run on the title is one of the better regarded works by a writer at Marvel and so I’ve been selectively checking those out, and this is the second collection I’ve read, after Winter Soldier.

What I like most about Brubaker’s writing is that he approaches the material completely straight, no irony, no meta-commentary on the superhero. There’s room for that stance, too, of course, but I never like seeing a form taken over by one way of doing things. So, here, even when you have a giant Red Skull rampaging on the National Mall, there are witty bon mots from the heroes, but nothing that takes you out of the moments. This manages to capture some of the pure fun of reading comics as a kid.

Daredevil Bendis & Maleev Ultimate Collection Book 2 (Marvel)

I am glad that Marvel is putting out these collections. Brian Bendis’ run on Daredevil fell into the period when I wasn’t actively reading comics (and the title was never a favorite). For me, the best part of this run is the opening collaboration with David Mack, but consistently entertaining, while also posing interesting questions about superheroism.

Supergirl: Death and The Family (DC)

One of the frustrations with this title, in trade at least, is that it sometimes seems as it deals with characters other than, well, Supergirl. This is one of those collections. It certainly seems as if this collection could just as easily be titled Superwoman, as Lucy Lane gets much more interesting treatment than does Kara.

I also found myself discomfited by the chapters penciled by Jamal Igle. In much the same way as other artists need to devise tricks to keep the skirt from flying up in revealing ways, Igle appears to be looking for ways to feature the compression shorts. Perhaps he is pushing the point about the character design – there’s just no way to make this work – but the showcasing of the shorts can also be read as just a new fetish.

I did find the Helen Slater and Jake Black and Cliff Chiang collaboration that closes the book to be fun, and, most importantly, about Supergirl.

Tiny Titans vol. 4: The First Rule of Pet Club (DC)

Good natured fun as always. I especially loved the bats, and the Stretchy Guys.

Left over in the to-read ‘box’:

TPBs:

A.D.: New Orleans after the Deluge (Pantheon)

Affecting, if not groundbreaking, work of comics reportage. Neufeld has an eye for detail that serves him well in developing the individual stories he chooses for the book. He draws each of his characters in a way that gives them distinct personalities, and all grow on you over time, even if if there is some imbalance in the time devoted to different subjects.

Cinderella: From Fabletown with Love (DC/Vertigo)

For some reason, I had really high expectations for this book. Maybe it’s because Chris Roberson also writes the fine I, Zombie, or because of Chrissie Zullo’s delightful covers, but I was pretty ready for this to be cool.

And it approaches it – the backstory with the Fairy Godmother is a good example of how the The Fables conceit works well – but also falls short. The shoe store story with Crispin Cordwainer felt like filler, and I was waiting for more to come from Cindy’s flashbacks. I’d love to see a series about her and Bigby. And, in the end, being left wanting more would seem to me good things about a book.

Ex Machina vol. 1: The First Hundred Days (Wildstorm)

A God Somewhere (Wildstorm)

This is a curious title. For starters, John Arcudi and Peter Snejbjerg do some interesting things with the superhero genre. Rarely do you get to see a book like this where there is truly only one superpowered, superheroic figure. Arcudi seems interested in exploring what that might be like. What makes the story even more interesting is the focus on the superperson’s best friend, and how he is affected in ways both positive and negative by the acquisition of powers. The fact that Sam is a flawed and not entirely likeable guy adds another important layer to the story. Similarly, the fact that Eric, and brother Hugh, are kind of ‘heroic’ before Eric gets his powers, which actually twist him into something else, also adds a significant layer of meaning to the story.

And yet, the story is too compressed. I think that Hugh suffers the most from this in terms of his development as a character. There is also very little time for Eric to lose his mind. I would have liked to see more about religion and more of a time period where Eric uses his powers in a ‘good’ way, while slowly going crazy from the alienation and sense of superiority to others. And, really, Sam could use more time for readers to see his underlying talents.

Upon finishing I wasn’t sure how much I liked the book, but it definitely improves upon reflection. I just wish that it had been longer or been written as a mini-series.

Heartbreakers: Bust Out (Image)

Women of Marvel: Celebrating Seven Decades (Marvel)

X-Men: First Class – Tomorrow’s Brightest (Digest) (Marvel)

Light and fun. Glad I finally read it. Jeff Parker does an especially nice job of writing stories that are gentle and accessible without being squishy or boring. Also nice to see an contemporary X-Men title that is kind to new readers.

Digital comics:

Moon Girl #4, #5, #6, & #7 (comiXology)

I finished this series over breakfast this morning (Sat, 10/2), and then went back to the beginning to see if I could piece it all together. The historical back-and-forth is hard to track, but this is what I gather about the arc of the story.

The final issues flashback to Clare/Moon Girl’s history with Santana and to Clare’s personal history as some kind of European aristocracy. Santana trained Clare to be ‘the embodiment of the people’, a task that she was, and remains, skeptical about, but Clare’s parents were killed during a ‘Bolshevik’ revolution, and she emigrated to the U.S. hoping to start a new life as a ‘normal’ person. The first three issues show readers how that worked out for her.

This was the first comic I purchased that was meant for digital distribution and you could tell in how easy it is to ‘flow’ through the pages and panels on my iPhone. I also think that this is my favorite ‘painted’ comic; somehow in digital form, the images seem less stiff than this style usually is on the page. The bright colors and clear details also rendered well on the screen.

If you enjoy twentieth century political theory, and pulpy characters, Moon Girl is a good read.

Find out more about this post.