Posting this a little late, but here is my October shipment from tfaw:
Angel #37 (IDW)
I think all anyone needs to know about the current state of this title is that the writing credits are all over the place – three people (four counting the Eddie Hope backup) – with parsing between “plotting” and “writing”. At least the art is fairly settled, fwtw.
Avengers Academy #5 (Marvel)
As always, I read this more carefully than I mean to. This month, Christos Gage offers a typically Marvel take on superheroism and celebrity, with the added background that the kids at the Academy are not, natively, the most upstanding citizens. Add at least one nice visual gag, and you have a pretty good read.
B.P.R.D.: Hell on Earth – New World #3 (Dark Horse)
The crossover with Hellboy is coming! I’ll just stipulate now that there will be very few months when B.P.R.D. and/or Hellboy comes in my shipment and they won’t be the best comics I get.
Buffy the Vampire Slayer Season Eight #37 (Last Gleaming Part Two) (Dark Horse)
The end game for this series progresses. Very much a moving things forward issue. Little new here, but I do think that Joss Whedon’s active involvement in writing continues to bring clarity to the “season”.
Casanova #3 and #4 (Marvel Icon)
These are dense reads, and a close second to the Hellboy titles for best things I get in my box. In these issues, the meta, which I like, seems a little less arch than in the previous two, or, at least, looser (check out the asides and the “I love comics” panel in #4). I love the curves and fluidity in Ba’s artwork.
I, Zombie #6 (DC/Vertigo)
A not altogether successful diversion about Scott. Still, a title that A and I are reading together. Fun.
Lady Mechanika #0 (Aspen)
Intriguing teaser, pretty much what I hoped for, though I wish Aspen were less soft core-y. Mechanika herself is nothing you won’t find elsewhere, but the ads for the other titles … do people really need comics for this kind of material these days?
S.H.I.E.L.D. #4 (Marvel)
More weirdness involving scientists and prophets. Trying to ponder what it means that Newton is the heavy, or how this deep backstory is going to be connected to the S.H.I.E.L.D. that readers already know.
Spike #1 (IDW)
Decidedly better than Angel this month. Of course, Brian Lynch and Franco Urru have these characters down. I like the idea of moving Spike to Las Vegas. The loss of this series might be the one thing the move to Dark Horse might not improve for this side of the Buffyverse.
Uncanny X-Force #1 (Marvel)
Sets up the first arc of the series. Jerome Opena’s art has a strong sense of movement and an appropriately cool color palette. Decidedly better than some of the more photoreal work in X-Force. I also like Dean White’s Gotham-y cover. I started this subscription because of Rick Remender, and whether that pans out, remains to be seen.
X-23 #2 (Marvel)
Well, this is a disappointment. I thought the first issue set up an interesting story, but that turns out to just be a pretext for plunking Laura into a Wolverine crossover event. Blah.
Black Widow: Deadly Origin (Marvel)
Paul Cornell walks that fine line between critiquing sexism, and male desire and fantasy, and participating in it with this series. What tips it on the side of critique is Natalia/Natasha’s refusal to accept how others, especially Ivan, see her. Tom Raney, Scott Hanna, and Matt Milla’s artwork does not help here, counterposing interesting looking and beautiful flashback sequences with a more polished, and soft core look for the present. Unlike on the covers, though, they do keep Natalia zipped up, for the most part.
Dr. Horrible And Other Horrible Stories (Dark Horse)
This book is pretty much what you would hope for: a fun, witty elaboration on the characters and storyworld for the web serial. This success is no doubt due in no small measure to having a single writer, Zack Whedon, who is also a co-creator of the original show. The artwork is supplied by a variety of interesting people, including Joelle Jones and Farel Dalrymple. My favorite story, artistically, is Penny’s, which features excellent, emotionally resonant work from Jim Rugg, but narratively, the Evil League of Evil chapter made me laugh the most. Despite its charms, I doubt a casual reader would get much from this book.
Like many of the books I get for A, I ended up enjoying this one myself, but I am left unsatisfied by an ending that promises more, more that I doubt very much we will ever see.
Hopeless Savages: Greatest Hits 2000-2010 (Oni Press)
I have wanted to dip into this series, and this collection was a perfect way to do that. I prefer the shorter, slice of life stories in the back of the book, to the higher concept adventures that make up the main chapters, but the Hopeless-Savages grew on me as I made my way through the book. I love the idea of the kids as comics geeks, and think that the creators did well to focus on Zero and Arsenal, each of whom, I think, are more unqiue characters than the other members of the family, although I enjoyed the storylines with Twitch, too. I was happy to see the overt tribute to Love & Rockets, an obvious inspiration for the book.
Perhapanauts Vol. 0 (Image)
I pick up these books every time I get to a Powells and when this “0” volume showed up in iCos, I decided to jump in. Reading this book, my attraction to stories about teams of misfits started to come into focus. That may, in fact, be driving my return to reading comics on a regular basis. Might need a whole blog post on that subject.
Secret Six: Danse Macabre (DC)
Many’s the time I’ve picked up a trade collection and said to myself, “I like this series, but what would make it awesome is if it had undead characters randomly showing up, prancing around and babbling incessantly about things like ‘fear’ and ‘death’ and who they want to kill. Because that’s, you know, soooo scary”. And now with this book, my wish has been fulfilled! Perhaps I have been ruined for all other comics.
In actuality, Gail Simone and John Ostrander make a fair game of adapting “Blackest Night” (I assume) to Secret Six, but even there the, “didn’t I/he/she kill you?”-type jokes only go so far. In the end, I just don’t care, and don’t buy books like this to find out how they fit into the latest ‘universe shaking’ crossover. I wish that DC and Marvel could, every now and again, leave well enough alone and let readers like me hold onto the weird and marginal titles we like, instead of pulling them into storylines devised to make people buy books they don’t normally pay attention to.
Wonder Woman: Contagion (DC)
Gail Simone gives a sweet and heartfelt farewell to Wonder Woman in this collection. The stories themselves are a mix of big fights, and while I prefer the previous collections, which were more tightly drawn together, I appreciate that Simone remained committed to Diana as an epic figure throughout her run on the title. That’s when the character is at her best, I think.
X-Men Forever Vol. 5 (Marvel)
Like a lot of comics readers in my same age group, Chris Claremont pretty much defined the X-Men for me, which is no doubt a major reason why X-Men Forever exists; many of us have disposable income, and pop culture isn’t something you ‘grow out of’ anymore. I like the loopiness of this series, this volume most of that is focused on Kitty, and Claremont certainly knows how to write the soap opera and how to treat the X-Men as one big, complicated family without getting ironic or maudlin. I read this right after having watched X-Men: The Last Stand, and, of the two, the comic comes out much, much better. I also appreciate the series for being in its own little bubble. Indeed, sometimes I wish I had started pulling it monthly.