Yesterday, my review of the DVD for 3 Backyards, Eric Mendelsohn’s (Judy Berlin) latest film, posted at PopMatters:
As much as I can admire what makes 3 Backyards different from more conventional suburban dramas, I’m also left with the feeling that there may be less to the film than the sum of its parts. There is an effective sense of simultaneity, of lives being led here and now, but the larger whole, the interconnections implied by the metaphoric mapping of the characters and images of a greater nature, never cohere in a meaningful way.
Read the full review.
I have a review of the Once Upon a Time in the West (1969) Blu-ray at PopMatters:
In digital high definition, the picture reveals details, particularly in the weathered, ruddy, often grimy faces of the actors, that have likely not been seen with this kind of clarity before. This in no way detracts from the viewing of the film, if anything it highlights the care and craft that went into the production, but Once Upon a Time in the West is, literally and figuratively, a movie about the dirt under the fingernails of its characters, and how everyone has some of that dirt, no matter how they might appear on the outside or to those in society at large. Somehow that deliberate moral ambiguity, that greyness and imperfection, seems more at home in an analog context than in a digital one.
Read the review. (As an additional point of interest, I adapt Nicholas Rombes’ 10/40/70 experiment for the review. Details in the full article).
In my current “Worlds in Panels” column at PopMatters, I take a critical look at motion comics through the Buffy the Vampire Slayer Season Eight DVD.
Despite my interest in transmedia storytelling, I have largely sidestepped this new way to read, but with the release of the Buffy the Vampire Slayer Season Eight Motion Comic, I decided to take my first good look. In viewing the sixteen “issues” collected on the standard DVD – the set includes a Blu Ray disc as well – I kept asking myself, Who is this for?
Read the column & Check out a discussion of the piece on Whedonesque
Yesterday, my review of the DVD for the film adaptation of Steven Levitt’s and Stephen Dubner’s Freakonomics posted at PopMatters. While entertaining enough, as social science, the film leaves something to be desired.
There is one sense in which it does not seem to matter much if one refers to the book or to the film. In both cases, freakonomics, however unconventional in other respects, shares at least one limitation with mainstream economics: a refusal to engage with the underlying values or politics of its claims about the world.
Read the review
Yesterday, my review of the Theatrical Edition DVD for Angelina Jolie’s spy-thriller, Salt, posted at PopMatters:
Evelyn Salt is the kind of character normally reserved for male actors and, in fact, was originally ‘Edwin Salt’, with Tom Cruise initially envisioned in the role. One of the few distinguishing characteristics of the movie is how little the role appears to have changed in the transposition from male to female. There are only one or two moments where it is difficult to imagine the action unfolding any differently with a man in the lead as opposed to a woman.
Read the full review